Sloppy Seconds Destroyed Rar
'Discography'Satan1981-2014Review by Joe TowseGenre/s: NWOBHM, Speed MetalFor Fans Of: Blitzkrieg, Diamond Head, Blind FurySatan has been one of my personal favourite bands for a long time - so much so, in fact, that I. While nobody who has been into metal for longer than about five minutes is unaware of them, some have been known to dismiss the NWOBHM as being mostly simplistic, almost pub rock-style tunes, Satan broke the mould and played faster and more complex music than many of their contemporaries, often being categorised along with the early speed metal bands. Unlike many NWOBHM bands who made a comeback, though, their newer material is similarly almost flawless, Life Sentence being one of the best albums of 2013.Includes. 'Scat Monsters'Meningococcemia Fecal2015Review by Joe TowseGenre/s: GoregrindFor Fans Of: Squash Bowels, Cliteater, Paracoccidioidomicosis-proctitissarcomucosisThe album artwork correctly indicates that this is nothing clever. It doesn't need to be. What this demo from Mexico does, it does damn well. Groovy, catchy goregrind with - shock horror - memorable tunes.
Taking cues more from the slower, punkier bands of the goregrindspectrum, and looking less towards the Last Days of Humanity/gorenoiseside of things (despite featuring a guest appearance from ex-LDOH vocalist Erwin de Groot), Meningococcemia Fecal demonstrate a keen sense of balance between out-and-out sickness and listenability. The samples may make you a little queasy, so this is definitely not dinner music, but if you just want to have a little boogie, you need look no further.
Sloppy Seconds Destroyed Rar 2017
'ADK Omnibus Vol.1'Various Artists1983Review by JoeyGenre/s: Hardcore Punk, Post-Punk, New Wave, Noise RockFor Fans Of: Discharge, SS, Gang Of Four, The ContortionsThis compilation is essential for fans of Japanese punk. I can geek out over a lot of this stuff as those of you who saw my already know. Many of these bands put bands like 7 Seconds to shame (then again, it's not that hard to make 7 Seconds look more mediocre than they already are). So, let's actually talk about the bands.The first band, Sodom, is clearly a direct result of Discharge's 'Hear Nothing See Nothing Say Nothing' which predated this compilation by one year. Don't write them off as being a clone though, their tracks on here are faster, more blown out, and more vicious than Discharge. If you want hyper aggressive, stripped down hardcore punk, you're going to love Sodom.Next up is Sekinin Tenka.
At their core, they're reminiscent of bands like SS and The Stalin; however, they rely on weird, atonal guitar work like something you'd hear from Saccharine Trust. This makes for a sinister sound befitting of one of today's hip young mysterio man hardcore bands except it predates them by about 25 years.Okay, so Cain, the third band, is somewhat of an oddity.
They play disco influenced post-punk/new wave similar to Gang Of Four but way poppier. Their material feels out of place, but at the same time works well to showcase how fucked up the other bands are.Lastly is Gaddess, who remind me of New York no wave bands like The Contortions and Teenage Jesus. Their songs are all bizarre and atonal, often feeling as if they are falling apart, but still somehow managing to remain catchy in places. After Cain's pop sensibilities, Gaddess feels even more disturbing than they might have at another place in the compilation.This is the only rip you'll find with individually split tracks, all of the others are divided by band. I'm not sure what else I should have to say to convince you to check this out, so get downloading.Tracklisting:1. ソドム Sodom - ソドミズム2.
ソドム Sodom - 自殺 / パブリック5. ソドム Sodom - 夜姦菌孤7. 責任転嫁 Sekinin Tenka - Fuck8. 責任転嫁 Sekinin Tenka - 春と修羅9.責任転嫁 Sekinin Tenka - Worm10.責任転嫁 Sekinin Tenka - 慕情11. カイン Cain - さつき病12. カイン Cain - すてきなビート (Beat Generation)13. ガディス Gaddess - Bun-Bun-Bun14. ガディス Gaddess - 新宿 -闇のカーニバル-15. ガディス Gaddess - 薬 -Yaku-16. ガディス Gaddess - あたいの.17. ガディス Gaddess - ケダモノ18. ガディス Gaddess - キ・チ・ガ・イ. 'The Final Separation'Bulldozer1986Review by Joe TowseGenre/s: Black/Speed Metal, Thrash Metal, Heavy MetalFor fans of: Venom, Midnight, Celtic FrostI thought I'd introduce myself here with an album I've been digging a lot recently. This is Bulldozer's second album, and while it's more refined than their debut, The Day of Wrath, it still retains a strong sense of youthful creativity and aggression. Taking influence from the likes of Venom and Hellhammer who were just starting to sow the seeds of proto-black metal in the UK and Switzerland respectively, there is certainly a menacing air around this album that sets it apart from most heavy and speed metal of the era.
Don't get me wrong, this is most assuredly a heavy metal album - black metal wouldn't dare have hooks this outrageous - but it is about as far from Saxon and their ilk as one could get within the genre. A minor classic, and, along with Death SS and Dark Quarterer, one of the most important metal bands Italy produced.TRACKLISTING:1. Final Separation2. Ride Hard - Die Fast3. Sex Symbols' Bullshit5. 'Don' Andras6.
Never Relax!7. Don't Trust the 'Saint'8. The Death of Gods. 'Vessels'Bloated Subhumans2015Review by Brayden BagnallGenre/s: Noise Rock, Harsh Noise, Power ElectronicsFor Fans Of: Rectal Hygienics, Brainbombs, Twin Stumps, Billy Bao, Rusted ShutIf, like me, you're always itching for the sort of music that sits squarely in the middle of a noise vs actual music Venn diagram, I've totally got something for you.Bloated Subhumans is a solo project that combines repetitious, crushing noise rock with vicious static walls and shrill arcs of electronic noise. Thick bass lines accompanied by super washed out, mumbled vocals are layed out on top of walls of distortion with programmed drums plodding away in the background, somehow keeping it from collapsing in on itself. The surges of harsh noise are done perfectly, and never overshadow the more 'musical' components of each track, and instead add a whole new level of grime and texture to the mix.
Vessels is definitely a case of 'less is more', but it's done tastefully and in a way that lends the three tracks a menacing, apathetic vibe while not losing its appeal after the first few minutes.TRACKLISTING:1. 'The White Bulls Weeps From Valhalla'Francis Harold And The Holograms2012Review by Brayden BagnallGenre/s: Hardcore, Noise Rock, Garage RockFor Fans Of: Pigeon Religion, Lumpy And The Dumpers, Dry Rot, Avon Ladies, DrunkdriverFrancis Harold and the Holograms (FHatH from here on in) were a band from Arizona - who much like many other punk bands from Arizona of late played viciously noisy, sloppy hardcore.The White Bull Weeps. was FHatH's final release before their dissolution, but it's also their most focused and ferocious effort. Gone is the blown out, derivative garage rock of their previous releases, leaving a much more sinister and noisy monster, that feels more like a hardcore or noise rock band playing loose three chord songs. FHatH play strung out, plodding sludge rock and fast paced ragers through their filter of fucked up guitar noise, howling cavernous vocals and blistering arcs of feedback that course through each track like electricity.
It's simultaneously invigorating and terrifying.If ever there was a band to call it quits just short of reaching their peak, it's this one - and while FHatH do have a reasonably extensive discography (one LP and numerous 7's), none of it comes close to the unhinged rock and roll on this beast.TRACKLISTING:1. The White Bull2. Chinese Head. 'In Search Of Death'Woundfucker'Sickness Report'Atrax Morgue1993, 1994, 1996Review by Brayden BagnallGenre/s: Death Industrial, Power ElectronicsFor Fans Of: Alberich, Brighter Death Now, Genocide Organ, Genocide LolitaAtrax Morgue was the moniker under which Italian noise musician, Marco Corbelli operated under from the early nineties right up until his suicide in 2007. Much like his fellow death industrial peers, Corbelli takes the extreme pulses and blats of power electronics and channels them into much more rhythmic and clinical compositions.
While Corbelli's work does tend to focus on the usual subject matter (death, rape, murder, necrophilia etc etc) Atrax Morgue has a morbid fascination with disease, medical procedures and the human body, with the cold clinical imagery a fitting background to the hideous squelches and screeches being milked out of an abused synthesizer. As well as this, Corbelli's body of work is heavily influenced by the pulpy, violent imagery of 1970s/80s Giallo films (as evidenced in some of the samples on In Search Of Death).Contained here are, in my opinion, three of Atrax Morgue's best works spanning the early and mid nineties - but I strongly suggest delving deeper into more of Corbelli's work as it's all as equally engrossing and unsettling as the releases here.(Note: both In Search Of Death and Woundfucker are contained within the download file below)TRACKLISTING:In Search Of Death (1993)1. Intro (The Next Door)2. In Search Of Death5. Vaginal Speculum6. Gein Blessed7.
MurderBeatWoundfucker (1994)1. Beautiful Razor5. Rosy (Morte II)7. Hungry Of Human8. Sperm On Dead Faces9. AutopsySickness Report (1996)1. Evisceration2. Massive Vulval Warts3. Deformed4. Brain Penetration5. Sphrenix Nor6. Ipoleptic7. Arphenia8. Chronic Disease9. Slow Agony Of A Dying Organism.
'Vacant Life'Wetbrain2015(Band Submission)Review by Brayden BagnallGenre/s: Hardcore, Noise RockFor Fans Of: White Wards, Gag, Slavescene, Hoax, Guttergods, NudesWetbrain are a relatively new band out of Seattle, Washington and if their demo and this three track EP are anything to go by - they're gonna be a band to watch out for.Wetbrain play super blown out, noisy hardcore with an unhealthy amount of chorus piled onto the guitars and feedback forced into the mix. It's a dangerous concoction of raw punk aggression and strung out noise, with the washed out vocals hovering in the background creating a pretty uneasy, distant effect.If you've been digging the multitudes of dark, fucked up hardcore that's been coming out of the states in recent years, you'll more than likely love this. And be sure to visit the band's blog to keep up with any new releases, shows and to check out their demo.TRACKLISTING:1.Suppression Cell2.Trench Knife3.Cutting Losses. 'Hemorrhaging Light'Gas Chamber2014Review by Brayden BagnallGenre: Powerviolence, HardcoreFor Fans Of: Gasp, Column Of Heaven, Iron Lung, Suffering Luna, The Endless Blockade, Pink Floyd, CyclopsHailing from Buffalo, New York, Gas Chamber are a band I've seen more than a few people call one of the most unique hardcore/powerviolence bands around currently.
Hemorrhaging Light is such a dizzying mish-mash of styles and genres, of wildly varying kinds it's really hard to try and pin a label on them or make a valid comparison.Much like Man Is The Bastard, Suffering Luna or Gasp, Gas Chamber combine aggressive hardcore with noisy interludes, ambience whilst including nods to prog-rock, classic rock, jazz and experimental music. The sudden transitions from blastbeats to melodic, proggy basslines and grandiose guitar solos are often jarring and unexpected, but executed fantastically and in a way that never interrupts the flow of the album.
It's almost as if a group of classically trained musicians decided to fuse their musical chops with the members of a hardcore band. It shouldn't work - but it does.If, like me, you've grown very weary of anything labelled 'powerviolence' and need something to rekindle your love and restore your hope for the genre - I strongly suggest listening to this.TRACKLISTING:1. Stacked Logs3. True Abolition7. Quality Of Death10. 'Demo 2014'Sex Pill2014Review by Brayden BagnallGenre/s: Hardcore, Noise Punk, Blackened PunkFor Fans Of: Slavehouse, Meth Sores, Horrid Cross, Perfume River, SlavesceneFirst of all a shout-out is in order for my co-blogger Joe for putting me onto this band and potentially letting me steal this review opportunity.
Thanks!Sex Pill are an infuriating band to google for obvious reasons, made even more difficult to very little internet presence. On the plus side, their music fucking rules and is perhaps a faint glimmer of hope for all the 'mysterious guy hardcore' buffs out there. Sex Pill play a style music that fluctuates between coherent - albeit lo-fi stompy blackened hardcore and blown out walls of noise. On top of that the vocals are heavily treated with some sort of chorus or rotary effect, rendering them completely unintelligible, and pretty darn menacing. This demo lapses in and out of noisy freakouts like it's going out of style, once again proving hardcore is at its best after it's been blown well and truly off its hinges. Approach with caution.TRACKLISTING:1. 'Let Nothing Grieve You Beyond Measure'Ohmu2014(Band Submission)Review by Brayden BagnallGenre/s: Doom Metal, Drone Metal, Sludge, Ambient, Post RockFor Fans Of: Khanate, Corrupted, Nortt, Earth, Old Man Gloom, NeurosisOhmu are a band from Stockholm, Sweden who were described to me via email as a 'drone/doom/postrock thing'.
Upon listening I was greeted by a fifteen minute long track of ambient post-rock, with no signs of any of this drone/doom action I was promised. On track number two however, Ohmu stayed true to their promise, sucker punching me with absolutely bowel rupturing walls of gnarled fuzz, springing out at me from the rank depths from which they were surely conjured. Much like Japan's resident sloth metal band Corrupted, Ohmu play at oppressively slow speeds - letting each note ring out until they feedback, just before crushing it with yet another monolithic chord. Fuck, this is slow and miserable enough to count as funeral doom in my book - yet it has much more flavour than your average one-man-gloom-machine - most evident in the post rock sections.Vocally, Let Nothing Grieve You Beyond Measure is pretty diverse - death growls are met with DSBM-esque howls, spoken word, throaty screams and clean singing, which again elevates Ohm against most other, straight-forward drone/doom bands. Thrown together, these elements make for a pretty bleak and terrifying listen, even more so when juxtaposed with the ambient, melancholic sections.TRACKLISTING:1. ' The Zingers'The Zingers2013Review by Brayden BagnallGenre/s: Punk, Art Punk, Noise Rock, Post PunkFor Fans Of: Venom P.
Stinger, Devo, Teenage Jesus and the Jerks, Outer Circle, CrucifucksAlthough defunct, The Zingers can pride themselves on releasing what is simultaneously the most baffling, annoying and original punk record to come out of Australia. The fact I spent a good twenty minutes trying to come up with bands to compare these guys to is proof enough of this, I think. Imagine if you will a sleazy cocktail party full of dirty punks and obnoxious new wave fans, with a delirious DJ playing no wave and hardcore tunes while viciously self medicating. Now if you can imagine that, you might have a shot at understanding the contents of this album.At face value this thing has all the components of a traditional punk album - it's just the way they're arranged and presented that sets it apart. The vocals for instance are just intensely nasally and deranged, and coupled with hilariously nonsensical lyrics it's a combo that'd put Doc Dart, Larry Lifeless and the entirety of mid-70s Devo to shame. Guitar and bass wise you get skronky, dissonant chords played with dizzying speed over bass lines that go from jazzy to punk to jarring no wave staccato on a song to song basis.
On top of that, The Zingers throw in cowbells, gongs, vibraphones, synthesizers and noisy meltdowns and freakouts. I'd be here for ages if I tried to accurately describe the goings on of this album, so just take my word for it - it's fucking weird in the best possible way.(PS: while The Zingers are no more, members have since gone on to form Brando's Island - who've stripped their sound down considerably but exchanged the guitar and bass for a vibraphone and synthesizer exclusively. Rest assured their music will be on this blog as soon as they release it)TRACKLISTING:1. The Zinger Stomp2. Million Dollar Chump4. Tony Bonôt5. Cracked Cobs7.
'Residual Grid'Material Sequence2012Review by Brayden BagnallGenre/s: Industrial, Synth, Noise, Industrial TechnoFor Fans Of: Shapednoise, Tollund Men, Croatian Amor, Esplendor Geometrico, Vatican ShadowMaterial Sequence is a side project of the two guys behind mysterio-dude-dark-wave band Tollund Men. Much like their main project, Material Sequence features a deliciously lo-fi and blown out recording quality, albeit channeled into a much more cold and mechanical sounding beast.Comparable to minimalist electronic acts as Muslimgauze or Vatican Shadow, Material Sequence presents their repetitious and severe compositions with much more distortion and way less fidelity, retaining the 'dance' factor while pushing it well and truly into noise and industrial territory.
The six tracks on Residual Grid are almost like the result of a fling between an 80s power electronics artist and the owner of a Berlin nightclub - fusing washed out, fuzzy drones with stark drum machine percussion and dark, melancholic synth lines. In short it's moody electronic music that despite its cold, unaffected nature manages to sound organic.Highly recommended.TRACKLISTING:1.
Sloppy Seconds Destroyed Rar Online
I spent most of '88 with my head back in '77. Sure there was good new shit in that time but the overwhelming tone of the times was a downer. Pop-metal and synth-pop ruled the airwaves and speed-metal and jangle-pop owned the underground. Regardless of your feelings for those underground genres (personally, distaste for the former, appreciation for the latter) they seemed like products of a punk rock divorce, wherein one party got the speed and the aggression and the other side got the hooks and the smarts.But 1989, speed, aggression, hooks and smarts regrouped, in little pockets around the world. In that year we had a phalanx of under-produced but ass-kicking American 7' and 12's by Jawbreaker, Mr. T Experience, Sloppy Seconds, Operation Ivy, Screeching Weasel, Bad Religion and Green Day plus stellar album albums by Canada's The Doughboys, Australia's The Hard-Ons as well as the Britain's pop-punk trifecta: Mega City Four, Leatherface and.While there is a modest-sized group of bands with drummers who do part-time lead vocals, like The Doughboys, Snuff's Duncan Redmonds' plays the front-man from the backseat all the time. Such a skill puts Redmonds in a rare class of full-time lead-singing drummers, including the aforementioned Hard-Ons and later-period Genesis.
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While Keish de Silva was eventually replaced in The Hard-Ons and Phil Collins had to bring in Bill Buford for help, Redmonds stands alone with his near-superhuman ability be able to drum so frenetically and still sing just fine.The first Snuff e.p. From 1989, which definitely caused a stir in North America, defined the band's sound, melodic yelling, frantic drumming, blaring guitars and lyrics that dealt in a matters of a personal nature. The band recorded no cover songs for their debut, produced by Mekons leader Jon Langsford, that crucial part of their style would have to wait till the full-length album later that year.So was Snuff one of the best things to come out of 1989? Let us know in the COMMENTS section (which is where you'll find the link for the Not Listening e.p.)Support the band! It's the start of a new series.That means you always appreciated feedback is needed.While we here at MRML enjoy your feedback throughout are manic-compulsive runs, we know that people like to get in their opinion on the ground floor, so to speak.So whether you have an opinion about the state of music in 1989 or an opinion about Snuff's origins or subsequent evolution, this is your chance to speak.Do remember that it is you and your feedback that helps to shape the amount of rarities we are able to postThank you.And now it's time to go get Snuffedhttp://www.mediafire.com/?4h4tvar8burq83l. AnonI hope it's meeting expectations (and don;t worry it's not over).Hughyeah Snuff have that energy that gives me strength.KropotkinI know all about records that go missing.AnonAmazing live band!PaulThanks for the link, I put it in the Snuff live post.BrynIt's funny how much more we appreciate the past once we've experienced the future.freeThanks.I think.AnonSnuffed!DaveDone!str8edgegavAmen!Bio'Snuff were the ones who bridged the void of the '86/87 punk implosion and made music 'fun' again for me.'
This.Any chance of the Yellow Car write-up? I think it'd be awesome.Janpower, speed tunes - sums it up. MRML is a blog about the devestating effects of culture: music, politics, comics plus etc. Blah blah blah. At times MRML will post fine, unpurchasable three-chord obscurica (punk, pop-punk, new wave, mod, power-pop, gospel, reggae, hardcore, rockabilly, folk, country.whatever.) -'The otherwise unavailable files in this blog are posted for a limited time and are intended for educational, non-commercial use.
These files were transcribed from what are believed to be out-of-print sources. If you are aware of any of these items being readily available from commercial sources, or if any of these files infringe upon rights that you hold, please notify us so that we can quickly remove the referenced items immediately.' -SUPPORT THE ARTISTS - BUY MUSIC!